Martial Dance is more than a dance company; it is a movement language that is born from the physical realities of the body rather than mentalities that divide society today. Integrating elements from formal dance techniques and social dance styles, with a variety of martial arts disciplines, Martial Dance is a movement democracy that embraces individuality and originality and the choreography never ceases to surprise and delight audiences.
Doesn’t just kick-ass, it boots pre-conceptions about what dance is off the radar (Mary Brennan, The Herald, 2007)
The disciplines of both Dance and Martial Arts are the key elements that have influenced artistic director Martin Robinson since childhood. Training in martial arts from the age of 12 and as a part of the street Breakdance and Body Popping scene, Martin began to develop his own unique movement quality derived from the amalgamation of the two art forms.
From dancing on the street to performing on the 6 o’clock show and for the premier opening of the film ‘Beat Street’ with the Brixton Academy Dancers, Martin went on to train professionally at Lewisham College and London Contemporary Dance School. Throughout this time he continued developing his martial arts repertoire, training in Wu Shu, Lur Gar Chun and Shaolin fist.
Beginning his professional career in 1991 with in Phoenix Dance Company, Martin went on to become a founding member of RJC Dance Theatre, playing a key role in developing their multi-cultural appeal through the fusion of different dance styles. During his time at RJC, Martin’s ever-present passion for Martial Arts gained him the 1996 Lisa Ullmann Scholarship for Capoeira research and development in Salvador Brazil. This research was the stimulus for his choreography for RJC in the production of the critically acclaimed ‘Passionelle’.
Martin created Martial Dance in 2002 in order to take his unique language of movement into the public domain as an art form in its own right. Since premiering his first piece Neither Here nor There at Resolution! 2003, he has created several works including his critically acclaimed solo Yin and Yang, Conflicts of the Cerebellum, ActionReaction and his latest work The Other
Martin’s journey back to his roots has provided the inspiration for choreography that is accessible and diverse, physically and emotionally honest and a vigorous and exhilarating experience that compels the audience to look more closely and challenges pre-conceptions of art and life.
Our core aims as a company is as follows:
- To create new work fusing the highest quality of dance with martial arts
- Establishing Martial Dance as a flourishing company offering a place for culturally diverse arts experience.
- Develop the profile of dance and the martial arts by building strong links and relationships with schools and venues through performance and educational residency work with particular emphasis on attracting boys to dance
- Champion, revive and maintain Graham technique for UK and international audiences
- Involve and inspire established and new audiences in the creative development of our work
For more information please download the company brochure
The Other
The Other is a touching insight into a women’s struggle for equality and empowerment in the aftermath of World War Two. Inspired by Simone De Beauvoir’s revolutionary feminist text: The Second Sex (1949) we examine how the female is defined as ‘the other’ for she is regarded only by her difference to man. Through exquisite contemporary dance and a beautiful original score two dancers embark on an emotional journey in the search for an accommodation of love, identity and respect.
Choreographed and performed by Martin Robinson and Cat Casbon
Music by Ross McCrae ©2008
Costume by Jessica Brettle
Lighting by Andrew Paul
ActionReaction
Set in a series of controlled spaces ActionReaction journeys from scientific factuality to social comment. In one moment, approaching the body as physical matter without out thought or feeling, the dancers are a literal physical manifestation of the Newtonian concept that every action has an equal and opposite reaction. In the next they enter into the world of human instinct, socially constructed behavioural analogies for laws of cause and effect and morals with terminology borrowed from science. Claustrophobia, fight or flight, love or indifference and disease? Chemicals, cells, ions and particles…what is the difference anyway?
Choreographed by Martin Robinson
Dancers Cat Casbon, Ruth Mills, Kirsty Pollock, Martin Robinsn, Ali Temple.
Yin+Yang
The critically acclaimed Yin+Yang is a physical illustration of the idea of two opposing yet complimentary images. Fusing Contemporary, body-popping and martial arts, this dynamic and explosive signature solo is the very essence of Martial Dance.
Choreographed and performed by Martin Robinson
Music by The Relicks © 2004
Lighting by David Shea
Conflicts of the Cerebellum
Fascinated by apparent inconsistencies in how people behave, ‘Conflicts’ is a journey into the mind of an individual, exploring the idea of conflicting feelings and thoughts between the different parts of his mind. The personality on stage is split three ways, constantly accompanied by his shadowy counterparts who slip in and out of the darkness. Shifting from peaceful to sinister, these subversive influences that lurk in the background must somehow be reconciled. (2005/2006).
Choreographed by Martin Robinson
Dancers Cat Casbon, Martin Robinson, Maddy Wynne-Jones
Music by The Relicks ©2005
Neither Here Nor There
Neither Here Nor there is a medley of dance, martial arts, poetry and theatre, giving an insight into the world of martial arts training. Beginning in a class setting, students perform martial arts movements, which are interspersed and overlaid with a mixture of hip-hop and reggae. Striking images are created as the dancers move from reality to dream state, constantly watched over by the Sifu. Neither Here Nor There is a manifestation of the Martial Dance experience.
Choreographed by Martin Robinson
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